Drawn From
DRAWN FROMpublishing
CATALOG/SCORES/THE GARDEN — ORIGINAL SOUNDTRACK
The First Generations (Original Soundtrack EP)
FROM THE FULL SCORE
The First Generations (Original Soundtrack EP) — volume one.
VIEW FULL ALBUM →
LP No. 02
33⅓ RPM · 180g · 2 × 12"
The Garden cover
O.S.T · No. 02
MMXXVI · STEREO
0 TRACKSSINGLE
— ORIGINAL SCORE · COMPANION TO THE FOLIO —

The Garden

A ten-part orchestral score recorded to tape on Pantelleria in the spring of twenty-twenty-six. Written to be read to — one movement per chapter of the first folio, from In the Beginning to And It Was Very Good.
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$1.29
WAV · PDF liner notes.
VINYL PRESSING · COMING 2027
MORE FROM THE FIRST GENERATIONS (ORIGINAL SOUNDTRACK EP)FULL ALBUM →
— LINER NOTES —

f the first chapter is the making of a world, the second is the furnishing of a room inside it. Genesis 2 shrinks the scope. The narrative steps in from the cosmic scale of chapter one and walks into a single garden, with a single river, with a single named man, and lays out the first relationships in scripture: the relationship of the man to the soil he came out of, the relationship of the man to the work he was given, the relationship of the man to the woman who was given to him, the relationship of all of them to the One who placed them there. This is not the chapter of separation. This is the chapter of intimacy. The piece is built to match this change of scale. Where *In the Beginning* used the full ensemble and the full register, *The Garden* draws everything inward. The voicing is smaller, the register is closer to the human voice, and the harmonic language is gentler. Where the first track was vertical (heaven, firmament, deep), this one is horizontal. It moves the way a person moves when they are walking somewhere they know. There is a recurring melodic phrase in this piece that we think of as the *naming theme*. The chapter is, more than anything else, about naming. *Whatsoever Adam called every living creature, that was the name thereof.* The naming theme appears first in one voice, then is taken up by another, then another, each time inflected slightly differently, the way a word changes when it is repeated by a different speaker. We did not want a piece *about* naming. We wanted a piece *doing* it. The phrase is offered, received, and offered back. The piece ends without resolving. The chapter does too. Adam and Eve are in the garden, naked and not ashamed, and the next chapter is already coming. The unresolved ending of *The Garden* is the only honest closing for a piece written from inside chapter two. Everything is still good. But you can feel that everything is about to change.

- McGauley Records, MMXXVI - V - XV
— CREDITS —
Composed, arranged, mixed, and mastered by
Brian McGauley · McGauley Records
Inspired by
Genesis 2:1–25, King James Version
Companion to
Drawn from Scripture: Genesis, Chapter 2 (Drawn From Publishing)
Released
MMXXVI · V · X