THE STUDIO

The Iliad, Vol. I — Books I–IV (Original Score)

14 instrumental cues written to Iliad I.1–52, each taking the span the music asks for — a score to play while you read the chapters. No narration and no singing; the words stay in your own Bible.

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Inferno, Vol. I — Cantos I–IV (Original Score)

14 instrumental cues written to Inferno, each taking the span the music asks for — a score to play while you read the chapters. No narration and no singing; the words stay in your own Bible.

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Exodus, Vol. I — The Bondage and the Deliverer (Original Score)

16 instrumental cues written to Exodus 1–4, each taking the span the music asks for — a score to play while you read the chapters. No narration and no singing; the words stay in your own Bible.

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Genesis, Vol. XI — The Gathering (Original Score)

16 instrumental cues written to Genesis 48–50, each taking the span the music asks for — a score to play while you read the chapters. No narration and no singing; the words stay in your own Bible.

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Genesis, Vol. X — The Reckoning (Original Score)

16 instrumental cues written to Genesis 42–47, each taking the span the music asks for — a score to play while you read the chapters. No narration and no singing; the words stay in your own Bible.

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Genesis, Vol. IX — The Pit and the Palace (Original Score)

16 instrumental cues written to Genesis 38–41, each taking the span the music asks for — a score to play while you read the chapters. No narration and no singing; the words stay in your own Bible.

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Genesis, Vol. VIII — The Coat of Many Colors (Original Score)

16 instrumental cues written to Genesis 34–37, each taking the span the music asks for — a score to play while you read the chapters. No narration and no singing; the words stay in your own Bible.

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Genesis, Vol. VII — The Wrestling (Original Score)

16 instrumental cues written to Genesis 29–33, each taking the span the music asks for — a score to play while you read the chapters. No narration and no singing; the words stay in your own Bible.

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Enoch, Vol. I: The Book of the Watchers (Original Score)

16 instrumental cues written to 1 Enoch 1–36, each taking the span the music asks for — a score to play while you read the chapters. No narration and no singing; the words stay in your own Bible.

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Genesis, Vol. VI — The Birthright and the Blessing (Original Score)

16 instrumental cues written to Genesis 25–28, each taking the span the music asks for — a score to play while you read the chapters. No narration and no singing; the words stay in your own Bible.

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Genesis, Vol. V — The Binding (Original Score)

16 instrumental cues written to Genesis 20–24, each taking the span the music asks for — a score to play while you read the chapters. No narration and no singing; the words stay in your own Bible.

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Genesis, Vol. IV — The Covenant and the Fire (Original Score)

16 instrumental cues written to Genesis 15–19, each taking the span the music asks for — a score to play while you read the chapters. No narration and no singing; the words stay in your own Bible.

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Genesis, Vol. III — The Scattering (Original Score)

16 instrumental cues written to Genesis 9–14, each taking the span the music asks for — a score to play while you read the chapters. No narration and no singing; the words stay in your own Bible.

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Genesis, Vol. II — The Grief / The Water (Original Score)

16 instrumental cues written to Genesis 4–9, each taking the span the music asks for — a score to play while you read the chapters. No narration and no singing; the words stay in your own Bible.

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Genesis, Vol. I — The Making / The Garden (Original Score)

17 instrumental cues written to Genesis 1–3, each taking the span the music asks for — a score to play while you read the chapters. No narration and no singing; the words stay in your own Bible.

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